Tuesday, 4 December 2018

Biography of Khadija Mastoor

Biography of Khadija Mastoor


Khadija Mastoor (11 December 1927 – 25 July 1982) was a Urdu essayist from Pakistan. She composed a few accumulations of short stories. Her tale Aangan has profoundly been appreciated as an abstract history in Urdu, which has likewise been changed into the show. Her more youthful sister Hajra Masroor is likewise a short story essayist 

Khadija Mastoor was conceived on 11 December 1927 in Bareilly, India. Her dad Tahoor Ahmad Khan, a British Army Doctor, kicked the bucket after a heart assault. She and her sister Hajra Masroor relocated to Lahore, Pakistan and settled there. Khadija passed on in London on 25 July 1982 and was covered in Lahore. Khadija Mastoor is a Urdu essayist from Pakistan acclaimed for her novel Aangan. Kicked the bucket July 26, 1982. 

Khadija started composing short stories in 1942. She has distributed five books of short stories and two books. Her accounts depend on social and good qualities and additionally political. Amid the works she has no model before her, she glances around and basically portrays her encounters. The proposal of PhD has likewise been composed on Khadija and on her abstract work by an understudy at Bahauddin Zakariya University, Multan, A paper composes; 

One of the best ladies journalists of short stories in Pakistan, Khadija Mastoor is being recalled on her demise commemoration today (Tuesday).Khadija Mastoor, an extraordinary scholarly lady in the historical backdrop of Urdu writing, was conceived in Bareili in 1927. She began composing short stories in 1942 and kept composition till her passing. She has more than 5 accumulations of short stories and 2 books shockingly. Her tale "Aangan" is respected an artistic milestone in Urdu. Her more youthful sister Hajra Masroor is additionally a cultivated short story essayist. Khadija Mastoor kicked the bucket in London in 1982 and was covered in Lahore. 

Numerous ladies journalists, including Esmat Chughtai and Wajada Tabassum, turned into a sort, however Khadija and Hajra never progressed toward becoming kinds, such was the flexibility in their craft, he included. 

Prof Ansari likewise reviewed a comment originating from Ahmad Nadim Qasmi that Khadija was exceptionally skilful in letter-composing and her letters were comparable to those composed by Mirza Ghalib. Those letters, Prof Ansari stated, ought to be distributed for further assessment of Khadija Mastoor's craft. 

Prior, Hajra Masroor said in a concise discourse that she was not for the time being worried about the convention of Urdu afsana. All she knew was from her perception and individual involvement throughout everyday life, she and Khadija assembled from early youth. 

Artist and story author Ahmad Hamish inspected real works of Khadija Masroor, reviewing models from English and Hindi bits of composing. 

The course was sorted out by Historical Event Committee of the Arts Council and compered by Ovais Adeeb Ansari. Qasim Jalali, Chairman of the board likewise talked.

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